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      <image:caption>Erika Blumenfeld, Midnight Twilight (Antarctica), 2009/2015, 25 chromogenic prints mounted on aluminum, lamination film, 16x16-inches each panel, 83x83-inches installed. Courtesy of the artist and Inman Gallery. (Image: Thomas DuBrock)</image:caption>
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      <image:caption>The sort by color tool on Google Arts and Culture.</image:caption>
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      <image:caption>The Horse Fair, Rosa Bonheur, 1852-55, The Met Museum. Courtesy of the Met Museum.</image:caption>
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      <image:title>The Art Journal - A look at Rosa Bonheur: French Animal Painter and Feminist Pioneer - Make it stand out</image:title>
      <image:caption>Sheep by the Sea, Rosa Bonheur, 1865, National Museum of Women in the Arts. Courtesy of National Museum of Women in the Arts.</image:caption>
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      <image:title>The Art Journal - A look at Rosa Bonheur: French Animal Painter and Feminist Pioneer - Make it stand out</image:title>
      <image:caption>The Lion at Home, Rosa Bonheur, 1881, Hull Museums &amp; Gallery. Courtesy of Hull Museums &amp; Gallery.</image:caption>
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      <image:title>The Art Journal - A look at Rosa Bonheur: French Animal Painter and Feminist Pioneer - Make it stand out</image:title>
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      <image:title>The Art Journal - A look at Rosa Bonheur: French Animal Painter and Feminist Pioneer - Make it stand out</image:title>
      <image:caption>Rosa Bonheur’s workshop at  Château de Rosa Bonheur. Courtesy of @chateauderosabonheur on Instagram.</image:caption>
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      <image:title>The Art Journal - A look at Rosa Bonheur: French Animal Painter and Feminist Pioneer - Make it stand out</image:title>
      <image:caption>Two Rabbits, Rosa Bonheur, 1840, Musée des Beaux Arts, Bordeaux. Courtesy of Art Her Story.</image:caption>
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      <image:title>The Art Journal - A look at Rosa Bonheur: French Animal Painter and Feminist Pioneer - Make it stand out</image:title>
      <image:caption>Ploughing in Nivernais (Labourage nivernais), Rosa Bonheur, 1849, Musée d'Orsay. Courtesy of Musée d'Orsay.</image:caption>
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      <image:title>The Art Journal - A look at Rosa Bonheur: French Animal Painter and Feminist Pioneer - Make it stand out</image:title>
      <image:caption>Rosa Bonheur's sketches and journals at the Château de Rosa Bonheur (formerly Château de By). Photo by Claudine Doury. Courtesy of Smithsonian Magazine and Château de Rosa Bonheur.</image:caption>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Swimming, Annabel Eyres (Olympic Artist in Residence Paris 2024), paper cut and collage, 2024. Courtesy of the Olympics.</image:title>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Egle Uljas performing a recital as a Paris 2024 Olympic Artist in Residence. Courtesy of the Olympics.</image:title>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Paralympian, Luc Abalo (Olympic Artist in Residence Paris 2024), oil on canvas, 2024. Courtesy of the Olympics.</image:title>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Make it stand out</image:title>
      <image:caption>Louis Vuitton Medal Trunks for Paris 2024 Olympics. Photo courtesy of LVMH.</image:caption>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Make it stand out</image:title>
      <image:caption>An American Trotter, Walter Winans, 1912 (Olympic Gold). Photo by and Courtesy of Emma Holmbro and Ake Dahllof.</image:caption>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Make it stand out</image:title>
      <image:caption>Elizabeth Streb’s dancers perform in front of Tower Bridge in London as part of the Cultural Olympiad, 2012.  Photo by and Courtesy of Peter Macdiarmid / Getty Images.</image:caption>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Make it stand out</image:title>
      <image:caption>Athletes from 39 countries made this collective work in PyeongChang. Project overseen by Olympic athletes and artists Roald Bradstock, Lanny Barnes, and Jean Blaise Evequoz. Courtesy of the Olympics.</image:caption>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Make it stand out</image:title>
      <image:caption>Apaches, an Original Dance Show for the Paris 2024 Cultural Olympiad. Photo by David Le Borgne. Courtesy of Opéra National de Paris.</image:caption>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Make it stand out</image:title>
      <image:caption>The Knockdown, Mahonri Young, 1931, (Gold Medal 1932 Los Angeles Olympics). Courtesy of Smithsonian American Art Museum</image:caption>
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      <image:title>The Art Journal - Olympics and the Arts: Art Competitions to Cultural Olympiads - Make it stand out</image:title>
      <image:caption>Catalogue of the exhibition at the Los Angeles Museum of History, Science, and Art, 1931. Digitally Published by LA84 Foundation.</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Invaderstein by Invader. Courtesy of Invader on Instagram (@invaderwashere)</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Space Noodles by Invader. Courtesy of Invader on Instagram (@invaderwashere)</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Deadly Romance by Olek, 2013. Photo by Rex Features.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Mural of Tree by Banksy, 2024. Courtesy of Banksy on Instagram (@banksy).</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Mural by Banksy in Venice. Courtesy of Banksy on Instagram (@banksy).</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Morning is Broken, Banksy, 2023. Courtesy of Banksy on Instagram (@banksy).</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Untitled, Jean-Michel Basquiat, 1982.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Photo by  Edo Bertoglio. Courtesy of The Estate of Jean-Michel Basquiat</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Wildstyle Graffiti. Photo by Justin Hawkes.</image:caption>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art</image:title>
      <image:caption>Wildstyle Graffiti by Jersey Joe Art. Photo by RIME. Courtesy of Jersey Joe Art.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art - Make it stand out</image:title>
      <image:caption>WWII Memorial in Washington, D.C,</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art - Make it stand out</image:title>
      <image:caption>Keith Haring working in the subway, 1983. Photo by Chantal Regnault.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art - Make it stand out</image:title>
      <image:caption>Agrarian Leader Zapata (replicated detail of larger mural), Diego Rivera, 1931. Courtesy of MOMA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/63090dfa-192f-4521-b135-c971a981ea2d/Screenshot+2024-07-16+at+8.35.52+AM.png</image:loc>
      <image:title>The Art Journal - &amp;nbsp;From Graffiti to Galleries: The Evolution and Impact of Street Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.stallthreestudio.com/the-art-journal/a-beginners-guide-to-art-collecting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-08</lastmod>
    <image:image>
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      <image:title>The Art Journal - A Beginner’s Guide to Art Collecting&amp;nbsp; - Make it stand out</image:title>
      <image:caption>The ADAA Art Show in New York. Courtesy of Surface.</image:caption>
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      <image:title>The Art Journal - A Beginner’s Guide to Art Collecting&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Courtesy of Sotheby’s.</image:caption>
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      <image:caption>Exterior of Serpentine Gallery, London. Courtesy of Hertford Street.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.stallthreestudio.com/the-art-journal/influence-and-inspiration-joaquin-sorollas-after-bathing-and-francesco-hayezs-susanna-and-her-bath</loc>
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    <lastmod>2025-04-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/1719387652459-WI6WFV89PL3H3FYZ9BDN/unnamed+%289%29.jpg</image:loc>
      <image:title>The Art Journal - Influence and Inspiration: Joaquin Sorolla’s "After Bathing" and Francesco Hayez's "Susanna and Her Bath” - Joaquín Sorolla. "Despues del Baño". 1892.</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/1719387652659-A4DD6FVZ2NMDCDLEZLCN/unnamed+%2815%29.jpg</image:loc>
      <image:title>The Art Journal - Influence and Inspiration: Joaquin Sorolla’s "After Bathing" and Francesco Hayez's "Susanna and Her Bath” - Francesco Hayez. "Susanna and Her Bath". 1839.</image:title>
      <image:caption />
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      <image:title>The Art Journal - Influence and Inspiration: Joaquin Sorolla’s "After Bathing" and Francesco Hayez's "Susanna and Her Bath” - Joaquín Sorolla. "Despues del Baño". 1892.</image:title>
      <image:caption>At the Museo de Sorolla, Madrid, Spain.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/1719387378968-PJEXGE4L3L78B7GKL39U/unnamed+%2816%29.jpg</image:loc>
      <image:title>The Art Journal - Influence and Inspiration: Joaquin Sorolla’s "After Bathing" and Francesco Hayez's "Susanna and Her Bath” - Francesco Hayez. "Susanna and Her Bath". 1839.</image:title>
      <image:caption>At the National Gallery, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/1719387867799-O2H7IYKSOR1QLJA8Y8G6/unnamed+%2813%29.jpg</image:loc>
      <image:title>The Art Journal - Influence and Inspiration: Joaquin Sorolla’s "After Bathing" and Francesco Hayez's "Susanna and Her Bath” - Joaquín Sorolla. "Despues del Baño". 1892.</image:title>
      <image:caption />
    </image:image>
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      <image:title>The Art Journal - Influence and Inspiration: Joaquin Sorolla’s "After Bathing" and Francesco Hayez's "Susanna and Her Bath” - Francesco Hayez. "Susanna and Her Bath". 1839.</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://www.stallthreestudio.com/the-art-journal/history-of-cosmos-in-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-08</lastmod>
    <image:image>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Exterior of the Hathor Temple. Photo by Brad Yonaka.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Sidereus Nuncius (Starry Messenger). Courtesy of Brown University Library.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Courtesy of MoMA</image:caption>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/68fa3230-241c-4ecc-855d-f93971552335/plafond-zodiaque-de-denderah.jpeg</image:loc>
      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Courtesy of the Louvre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/5dd60b80-2767-44f0-8906-33901f6a08a0/Screenshot+2024-06-12+at+4.18.06+PM.png</image:loc>
      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Photo by Rainer Zenz. Courtesy of World History Encyclopedia. Learn more about the Nebra Sky Disk here.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Courtesy NASA and Anglo-Saxon Archaeology</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/209fe006-d70d-4c39-bd4b-31cb9ce7597e/restricted+%281%29.jpeg</image:loc>
      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Hall of the Bulls, Courtesy of Smarthistory</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/45ed2335-6ce0-4980-a301-6edeb5e23f52/lks-experiment-1.png</image:loc>
      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Courtesy National Gallery Singapore and Liu Kuo-sung</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Page from Starry Messenger. Courtesy of the Met</image:caption>
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      <image:title>The Art Journal - History of Cosmos in Art - Make it stand out</image:title>
      <image:caption>Courtesy of Tate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.stallthreestudio.com/the-art-journal/the-60th-venice-biennale-of-art-foreigners-everywhere</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-08</lastmod>
    <image:image>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere”</image:title>
      <image:caption>Archie Moore: kith and kin, 2024, Australia Pavilion at Venice Biennale 2024. Photo by Andrea Rossetti. Courtesy of Archie Moore, The Commercial, and La Biennale di Venezia.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere”</image:title>
      <image:caption>Karimah Ashadu: Machine Boys, 2024, The International Exhibition at the Venice Biennale. Photo by Lorenzo Palmieri. Courtesy of Karimah Ashadu and the La Biennale di Venezia.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere”</image:title>
      <image:caption>Archie Moore: kith and kin, 2024, Australia Pavilion at Venice Biennale 2024. Photo by Andrea Rossetti. Courtesy of Archie Moore, The Commercial, and La Biennale di Venezia.</image:caption>
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    <image:image>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere”</image:title>
      <image:caption>Doruntina Kastrati: The Echoing Silences of Metal and Skin, 2024, The Republic of Kosovo Pavilion at Venice Biennale 2024. Photo by Lorenzo Palmieri. Courtesy of Doruntina Kastrati and La Biennale di Venezia.</image:caption>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere”</image:title>
      <image:caption>Mataaho Collective: Takapau, 2022. Photo by Ben Stewart. Courtesy of Mataaho Collective and La Biennale di Venezia.</image:caption>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere” - Adriano Pedrosa. Photo by Daniel Cabrel. Courtesy of Museu de Arte de São Paulo Assis Chateaubriand.</image:title>
      <image:caption>Adriano Pedrosa. Photo by Daniel Cabrel. Courtesy of Museu de Arte de São Paulo Assis Chateaubriand.</image:caption>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere” - Edith Karlson: Hora lupi, Estonian pavilion at Venice Biennale 2024. Photo by Anu Vahtra/Estonian Centre for Contemporary Art. Courtesy of the Estonian pavilion and La Biennale di Venezia.</image:title>
      <image:caption>Edith Karlson: Hora lupi, Estonian pavilion at Venice Biennale 2024. Photo by Anu Vahtra/Estonian Centre for Contemporary Art. Courtesy of the Estonian pavilion and La Biennale di Venezia.</image:caption>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere”</image:title>
      <image:caption>Claire Fontaine: Foreigners Everywhere (Self-portrait)/ Stranieri Ovunque, 2024. Photo by Matteo de Mayda. Courtesy of Claire Fontaine and La Biennale di Venezia.</image:caption>
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      <image:title>The Art Journal - The 60th Venice Biennale of Art: “Foreigners Everywhere”</image:title>
      <image:caption>Claire Fontaine: Foreigners Everywhere / Stranieri Ovunque, 2024. Photo by Haupt &amp; Binder, Universes in Universe. Courtesy of Claire Fontaine and La Biennale di Venezia.</image:caption>
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      <image:title>The Art Journal - Artist Sterling Crawford Shares Inspirations and Meaning Behind the Portrait - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-04-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/d40d0b4e-547d-4fc9-8eae-3ef4147dc5b2/Screenshot+2024-04-08+at+8.42.56+AM.png</image:loc>
      <image:title>The Art Journal - Andy Saunders, Apollo on Film a Half Century Later - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/88aeff06-69ab-4247-9635-9dde92f51f47/Screenshot+2024-04-08+at+8.41.35+AM.png</image:loc>
      <image:title>The Art Journal - Andy Saunders, Apollo on Film a Half Century Later - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/7c5bc8d3-d9ea-4b4b-8d1f-9fab32a2b7b3/Screenshot+2024-04-08+at+8.42.03+AM.png</image:loc>
      <image:title>The Art Journal - Andy Saunders, Apollo on Film a Half Century Later - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.stallthreestudio.com/the-art-journal/rarely-seen-photos-from-the-apollo-program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/19d111b1-b10c-41fe-a601-5c314942825e/s80-27731%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - PARADE - APOLLO 11 - HOUSTON, TX Apollo 11 parade downtown Houston, TX, 08/16/1969. NASA ID: s80-27731</image:title>
      <image:caption>PARADE - APOLLO 11 - HOUSTON, TX Apollo 11 parade downtown Houston, TX, 08/16/1969. NASA ID: s80-27731</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/48c7a214-fc4e-4199-b5a8-57d52a12ce2d/6901208%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Make it stand out</image:title>
      <image:caption>Saturn Apollo Program The Apollo 11 mission, the first manned lunar mission, launched from the Kennedy Space Center, Florida via a Saturn V launch vehicle on July 16, 1969 and safely returned to Earth on July 24, 1969. The Saturn V vehicle was developed by the Marshall Space Flight Center (MSFC) under the direction of Dr. Wernher von Braun. Aboard were Neil A. Armstrong, commander; Michael Collins, Command Module pilot; and Edwin E. Aldrin Jr., Lunar Module pilot. The Command Module (CM), piloted by Michael Collins remained in a parking orbit around the Moon while the Lunar Module (LM), named “Eagle’’, carrying astronauts Neil Armstrong and Edwin Aldrin, landed on the Moon. Armstrong was the first human to ever stand on the lunar surface, followed by Edwin (Buzz) Aldrin. The surface exploration was concluded in 2½ hours, in which the crew collected 47 pounds of lunar surface material for analysis back on Earth. Upon splash down in the Pacific Ocean, Navy para-rescue men recovered the capsule housing the 3-man Apollo 11 crew. The crew was taken to safety aboard the USS Hornet, where they were quartered in a mobile quarantine facility. Shown here is the Apollo 11 crew inside the quarantine facility. With the success of Apollo 11, the national objective to land men on the Moon and return them safely to Earth had been accomplished. NASA ID: 6901208</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/0d60e82a-ba94-4320-ba5e-b05acfbd916e/s70-35144%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Apollo 13 MCC DURING RECOVERY MCC DURING RECOVERY, NASA ID: s70-35144</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/33d7eb59-c4a4-4981-9102-e6378b2c9a4b/S69-38323%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Crew Training - Apollo 11 S69-38323 (28 June 1969) --- Astronaut Michael Collins, command module pilot of the Apollo 11 flight, is seen inside an Apollo Command Module (CM) mockup in Building 5 practicing procedures with the Apollo docking mechanism in preparation for the scheduled Apollo 11 lunar landing mission. Collins is at the CM's docking tunnel which provides passageway to and from the Lunar Module (LM) following docking, and after removal of the tunnel hatches, docking probe and drogue. NASA ID: S69-38</image:title>
      <image:caption>323Crew Training - Apollo 11 S69-38323 (28 June 1969) --- Astronaut Michael Collins, command module pilot of the Apollo 11 flight, is seen inside an Apollo Command Module (CM) mockup in Building 5 practicing procedures with the Apollo docking mechanism in preparation for the scheduled Apollo 11 lunar landing mission. Collins is at the CM's docking tunnel which provides passageway to and from the Lunar Module (LM) following docking, and after removal of the tunnel hatches, docking probe and drogue. NASA ID: S69-38</image:caption>
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      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - EXTRAVEHICULAR ACTIVITY (EVA)-LUNAR RVER VEHICLE(LRV) "GRAND PRIX" (APOLLO 16) S72-37002 (21 April 1972) --- The Lunar Roving Vehicle (LRV) gets a speed workout by astronaut John W. Young in the "Grand Prix" run during the first Apollo 16 extravehicular activity (EVA) at the Descartes landing site. This view is a frame from motion picture film exposed by a 16mm Maurer camera held by astronaut Charles M. Duke Jr. While astronauts Young, commander, and Duke, lunar module pilot, descended in the Lunar Module (LM) "Orion" to explore the Descartes highlands region of the moon, astronaut Thomas K. Mattingly II, command module pilot, remained with the Command and Service Modules (CSM) "Casper" in lunar orbit. NASA ID: as16-117-18825</image:title>
      <image:caption>EXTRAVEHICULAR ACTIVITY (EVA)-LUNAR RVER VEHICLE(LRV) "GRAND PRIX" (APOLLO 16) S72-37002 (21 April 1972) --- The Lunar Roving Vehicle (LRV) gets a speed workout by astronaut John W. Young in the "Grand Prix" run during the first Apollo 16 extravehicular activity (EVA) at the Descartes landing site. This view is a frame from motion picture film exposed by a 16mm Maurer camera held by astronaut Charles M. Duke Jr. While astronauts Young, commander, and Duke, lunar module pilot, descended in the Lunar Module (LM) "Orion" to explore the Descartes highlands region of the moon, astronaut Thomas K. Mattingly II, command module pilot, remained with the Command and Service Modules (CSM) "Casper" in lunar orbit. NASA ID: as16-117-18825</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/8b21456d-65b3-40b1-b402-c5981c13f1d3/S70-34851%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Astronaut Fred Haise - Suiting Room - Prelaunch - KSC S70-34851 (11 April 1970) --- A space suit technician talks with astronaut Fred W. Haise Jr., lunar module pilot for NASA's Apollo 13 mission, during suiting up procedures at Kennedy Space Center (KSC). Other members of the crew are astronauts James A. Lovell Jr., commander, and John L. Swigert Jr., command module pilot. Swigert replaced astronaut Thomas K. Mattingly II as a member of the crew when it was learned he had been exposed to measles.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/49c583ef-e1ef-44aa-8b8a-ee46630e896b/as15-88-11974%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - View of the Apollo 15 Command/Service Module in lunar orbit AS15-88-11974 (30 July 1971) --- A view of the Apollo 15 Command and Service Modules (CSM) in lunar orbit as photographed from the Lunar Module (LM) just after rendezvous. The lunar nearside is in the background. This view is looking southeast into the Sea of Fertility. The crater Taruntius is at the right center edge of the picture. NASA ID: as15-88-11974</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/a96451e0-6476-4f26-b292-28f6dcb4977e/as15-92-12424%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Astronaut James Irwin uses scoop during Apollo 15 EVA AS15-92-12424 (31 July-2 Aug. 1971) --- Astronaut James B. Irwin, lunar module pilot, uses a scoop in making a trench in the lunar soil during Apollo 15 extravehicular activity (EVA) on the moon. Mount Hadley, which rises approximately 14,765 feet (about 4,500 meters) above the plain, is in the background. Its base is some 14 kilometers (about 8.4 miles) away. The gnomon is at left. While astronauts Irwin, and David R. Scott, commander, descended in the Lunar Module (LM) to explore the moon, astronaut Alfred M. Worden, command module pilot, remained with the Command and Service Modules (CSM) in lunar orbit. NASA ID: as15-92-12424</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/6950837d-39f4-4d57-a105-33ba7faf339d/S69-34882%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Crew Training - Apollo 11 S69-34882 (24 May 1969) --- The prime crew of the Apollo 11 lunar landing mission relaxes on the deck of the NASA Motor Vessel Retriever prior to participating in water egress training in the Gulf of Mexico. Left to right, are astronauts Edwin E. Aldrin Jr., lunar module pilot; Neil A. Armstrong, commander; and Michael Collins, command module pilot. In the background is Apollo Boilerplate 1102 which was used in the training exercise. NASA ID: S69-34882</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/b50b8ba0-e999-4d0e-83f8-b88fc0c474eb/9131579%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Saturn Apollo Program This photograph was taken during the testing of the Lunar Roving Vehicle (LRV) at the Johnson Space Center. Developed by the MSFC, the LRV was the lightweight electric car designed to increase the range of mobility and productivity of astronauts on the lunar surface. It was used on the last three Apollo missions; Apollo 15, Apollo 16, and Apollo 17.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/61f1d602-0bdf-4690-993d-42accab4dd2c/S69-38678%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - Crew Training - Apollo 11 Apollo 11 Commander Neil Armstrong performing Lunar Module (LM) simulations at Kennedy Space Center (KSC). NASA ID: S69-38678</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/4369a948-40ed-4afb-8261-1afbc49f5a7d/S70-15526%7Eorig.jpg</image:loc>
      <image:title>The Art Journal - Rarely Seen Photos from The Apollo Program - President Nixon and Apollo 13 crewmen at Hickam AFB S70-15526 (18 April 1970) --- President Richard M. Nixon and the Apollo 13 crew members pay honor to the United States flag during the post-mission ceremonies at Hickam Air Force Base, Hawaii. Astronauts James A. Lovell Jr., (United States Navy Captain, salutes the flag) commander; John L. Swigert Jr., command module pilot (right); and Fred W. Haise Jr., lunar module pilot (left), were presented the Presidential Medal of Freedom by the Chief Executive. The Apollo 13 splashdown occurred at 12:07:44 p.m. (CST), April 17, 1970, about a day and a half prior to the award presentation. NASA ID: S70-15526</image:title>
    </image:image>
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      <image:title>The Art Journal - Artist Feature, November 2023: Ernest Cole - Ernest Cole, Untitled, 1960, Gelatin silver print, 6 5/8 × 9 15/16" (16.8 × 25.3 cm)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c9ad559835c262a9994290/1699910424433-SKOYBMX3W51E5VOYEYTE/Screenshot+2023-11-13+at+4.19.59+PM.png</image:loc>
      <image:title>The Art Journal - Artist Feature, November 2023: Ernest Cole - Ernest Cole, 'Untitled' c. 1960, Gelatin silver print, 6 3/4 × 9 11/16" (17.2 × 24.6 cm)</image:title>
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      <image:title>The Art Journal - Artist Feature, November 2023: Ernest Cole - Ernest Cole, Untitled, c. 1970, Gelatin Silver Print, 7 13/16 × 11 9/16" (19.9 × 29.4 cm)</image:title>
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    <image:image>
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      <image:title>The Art Journal - “The Art Show” 2023: A Sophisticated, Bustling Must-Attend Fair for Collectors and Art Enthusiasts - Rodrigo Facundo 2023, Mapa Tejido, 2023, Mixed media on canvas, 33 ½ x 25 ⅝ in. (85 x 65 cm.)</image:title>
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